Taylor Swift portrait in the manner of William Bouguereau

An oil painting demonstration showing how to paint like William Bouguereau by Matt Harvey Art

Portrait of Taylor Swift in the manner of William Bouguereau. An oil painting demonstration

Hi there I have just painted this portrait of Taylor Swift to demonstrate an aspect of Bouguereau’s technique, working straight into colour from the drawing. I worked on it for around 4 hours including the drawing stage. Below is the drawing stage which I completed using Burnt Umber and Linseed oil medium in a kind of ‘bistre’ effect. I did model some of the lights and darks in the hair but that was only so that I could clarify the drawing. A true bistre might also model the forms of the face, but here my intention was to finish the drawing so that I could focus on the colour in the video demonstration.

bistre drawing of Taylor Swift, oil on board using burnt umber and linseed oil medium. By UK portrait painter Matt Harvey Art

Portrait of Taylor Swift – Burnt Umber bistre drawing

Here is a before and after picture. The first colour glaze took about 90 minutes

Portrait of Taylor Swift showing the drawing stage in burnt umber and linseed oil medium, and then the first colour glaze

Portrait of Taylor Swift showing the drawing stage in burnt umber and linseed oil medium, and then the first colour glaze

In my portraits I would use this colour layer as a kind of underpainting and continue to refine the modelling in further glazes. The demonstration is on my youtube channel, link below.

Portrait painting from grisaille underpainting to fourth glaze

Here are a selection of photos showing the completed glazes done over the grisaille underpainting in this portrait commission.

Custom portrait commission of a girl laughing, child portrait in oil paint by portrait painter and artist Matt Harvey

The first layer, called a grisaille as its painted in grey, using Titanium White and Ivory Black

First glaze over a grisaille underpainting, oil on board by portrait painter and artist Matt Harvey

The first glaze which was painted in roughly an hour. This is the subject of a film in 4 parts, showing the 1st glaze being painted in oils

Second oil glaze on a commissioned portrait painting by British portrait painter and artist Matt Harvey

The second glaze, painted after a couple of days when the first glaze had fully dried. I use M. Graham’s Walnut Alkyd medium. The alkyd accelerates the drying, otherwise the oil takes at least a week to be dry enough to paint the next glaze.

3rd oil glaze on a grisaille portrait, from a portrait painting commission by British portrait painter Matt Harvey

The third oil glaze shows the colours getting richer. I continue to model the forms of the portrait while I paint the glazes.

Ruby 4th glaze, oil on board, custom portrait commission by portrait painter Matt Harvey,oil on board

4th glaze

Portrait painting video demonstration

My latest film, another shot while putting on the first glaze over a grisaille underpainting, is now finished and on youtube. Here’s a link to the first installment:

It’s been an interesting experience filming myself working, and quite strange to watch it back as I’ve never seen myself working before. I wanted to make an authentic account of working with this method, and create the film I was looking for when trying to learn how to do it myself. Of course thats a process that never stops!

Portrait painting commission – grisaille layer waiting for the first glaze

This is the first stage, the grisaille. I will be posting a video of the first glaze in a few days. The sitter is the sister of the earlier portrait posted. I will be able to continue modelling the forms as I glaze. I have talked about this elsewhere but the drawing never stops while glazing is taking place, each glaze revealing new areas to develop in the painting. The grisaille is not perfectly formed but is enough to form an anchor for the rest of the painting. Hue or colour is in itself drawing and form and all the imperfections and flat areas are transformed with the glazes.

There are many different ways to make a grisaille underpainting; with black and white as here, or you can make a ‘verdaccio’ which is monotone green and white, or burnt umber and whites. In the future I would like to do some paintings with very limited palettes, like the Zorn palette which has Yellow Ochre, Black, red and white. Or like the one I used at school, Burnt Sienna, Cobalt Blue and White. Just thinking about it is so nostalgic and I fondly remember swimming in warm and cool tones back then.

Grisaille portrait commission in oil paints, before first glaze.

Portrait of Ruby, grisaille painted in oils, Titanium White and Ivory Black

Oil painting demonstration: Glazing over grisaille – Portrait of Amy

This is Amy’s portrait, glazed in oil paints. I filmed myself doing this and it will shortly be on my youtube channel. Its still in the early stages, and when this layer is dry I’ll go over it again, up to 3 or 4 times. I don’t know if I’m going to film those other stages – they might be a bit boring as its just a lot of tinkering. In the early stages its quite dramatic how a few glazes of colour changes the grisaille into a very nearly finished portrait. Stay tuned!

Image showing before and after views of a portrait painting commission where the first glaze in oil paint has been painted over a grisaille underpainting

Before and after glazing over grisaille. The first oil glaze took roughly an hour to complete. The grisaille underpainting was painted using Titanium White and Ivory Black oil paints, and the glazes are mixed from Alizarin Crimson, Raw Sienna, Cadmium Red, Titanium White, Ultramarine Blue and Sap Green, to name a few

Colour glazing – 3rd glaze over the underpainting

Portrait in oil paint by contemporary British portrait artist and portrait painter Matt Harvey

The third glaze has been painted with veils of oil paint over the grey or grisaille underpainting. I did some experimenting with the background here, but ended up painting it out in further glazes.

3rd glaze done. Still a few more needed #underpainting #grisaille #portrait #portraitpainting #oiloncanvas #art #painting #fineart #devon #glaze #contemporaryart #contemporaryrealism #oilpainting