I wanted to share the magical transformation an oil painting undergoes, glazing oil colour over a monotone underpainting.
I filmed myself painting the glaze and velatura over this portrait for one hour, in 3 short videos – this being the first. Its the first glaze and there will be a few others to finish the portrait, but this video shows the process, and I hope shows why I find it such a rewarding method to work with. It shows the dramatic results you can achieve in a relatively short amount of time.
This is Amy’s portrait, glazed in oil paints. I filmed myself doing this and it will shortly be on my youtube channel. Its still in the early stages, and when this layer is dry I’ll go over it again, up to 3 or 4 times. I don’t know if I’m going to film those other stages – they might be a bit boring as its just a lot of tinkering. In the early stages its quite dramatic how a few glazes of colour changes the grisaille into a very nearly finished portrait. Stay tuned!
Before and after glazing over grisaille. The first oil glaze took roughly an hour to complete. The grisaille underpainting was painted using Titanium White and Ivory Black oil paints, and the glazes are mixed from Alizarin Crimson, Raw Sienna, Cadmium Red, Titanium White, Ultramarine Blue and Sap Green, to name a few
I’ve put the first colour glaze put on this portrait in 2 stressful hours! A few more glazes needed and I’ll add them over the coming days. I use M. Graham’s Walnut Alkyd medium which dries overnight – or to be extra sure within 48 hours. I enjoyed painting his ear and chuffed with the result! It felt good to achieve some economy of handling with the paint, and not get bogged down in it. #ear #chuffed #figurativeart #contemporaryart #portraitpainting #portrait #grisaille #underpainting #oilpainting #oiloncanvas #realism #art #painting #glaze #devonartistnetwork #devonopenstudios #devon