After drawing in this Bouguereau I painted the grisaille. I’m not normally used to modelling the forms so thoroughly but I found that to be a very valuable experience, because I don’t think I have ever done it! I have found in the past that as long as the drawing is correct in the grisaille […]
Tag: grisaille underpainting
Portrait painting from grisaille underpainting to fourth glaze
Here are a selection of photos showing the completed glazes done over the grisaille underpainting in this portrait commission.
Oil painting as alchemy – Dry brush blending in portraiture
I was able to practise my dry brush blending with this portrait of a beautiful girl called Violet. This portrait commission was a staging post for me in developing my understanding of the grisaille technique. I’m now much more comfortable marrying techniques of glazing with my earlier familiar method of building up solid planes of colour. I […]
Anna and Simon portrait
Process of glazing an oil painting step by step
Jack in Burnt Umber and Titanium White
When I began investigating Old Master techniques I had some brilliant instruction from James Scrace, a portrait painter who was trained by Pietro Annigoni (see his fantastic self portrait). He learned every traditional painting skill from Annigoni, including fresco painting, and he taught me to use Burnt Umber as a wash to draw the portrait first, […]
Portrait of Bea, final glaze
Portrait of Bea. After feeling around what might work for the background I settled on this regal blue, and I gave the painting a few glazes of Michael Harding’s Ultramarine, which is both warm and sharp, and has a depth while also firmly hovering on the picture plane. Ultramarine blue was discovered around 1820. Before […]
Devon open studios
I’ this portrait for promotional material for Devon open studios in September 2017 #portrait #portraitpainting #contemporaryrealism #art #oilpainting #devonartistnetwork #devonopenstudios (at Kenton, Devon)
