This is a portrait I painted of my brother Tom a few years ago, and I wanted to share it as I love the composition. I don’t know if its obvious but he’s reading, and enjoying a cup of tea at home. I feel the composition of the painting has a compactness to it, whilst having three distinct spatial areas – himself in the foreground, the room behind, and the window and world outside. There’s also the added dimension of the other window on his right, shedding light on his hand and cheek. And you could include the space I sat and painted in. I think I spent an hour or so on it and it was a good likeness, so decided to leave it as it was.
I was quite free with colour at the time and that’s something I want to renew and develop further, as another discipline to complement grisaille painting. I think some of the paintings I made in the years before I learned traditional techniques have a freedom and spontaneity that I don’t want to lose sight of. I’ll share more of these on this blog soon.
I’m hoping to start going a drop-in life class to specifically do some oil sketches and Alla Prima portraits so we’ll see how that goes. As I post this I will be at a portrait class in Topsham, Devon, and I will post again about it. Alla Prima is a technique I’ve had a little instruction in, but I’m feeling the need to go back to Bristol to have a chat with James Scrace about it. I’ve mentioned before but he worked for and trained under Pietro Annigoni, so he knows what he’s talking about! Alla Prima is Italian for ‘first attempt’ and is also called wet-on-wet. You basically try and finish the painting in a sitting, rather than painting layers of oil paint on top of paint that has been allowed to dry. I’d love to do one of Louis Smith’s courses on it as he provides brilliant tuition in all things academic in oil painting and portraiture.