Here is a before and after picture. The first colour glaze took about 90 minutes In my portraits I would use this colour layer as a kind of underpainting and continue to refine the modelling in further glazes.
Hi there, I’ve been looking forward to doing this for a while, and now I’ve completed the films of both the glazes. Here is a photo of before and after the 2nd glaze. So this is the painting again showing the change from the 1st to the 2nd glaze, and then following on from that you can see the 2nd glaze next to the…
I have just finished the first glaze in oil paints on my grisaille underpainting. This short video project was all about trying to work out how Bouguereau made his paintings, something I have often wondered about. His works have a particular translucent quality and it was my mission to try and fathom the processes behind this. I think the only real way one can…
This is a detail of a painting that I have shown before of the effect of glazing over a grisaille underpainting in a short time.
Here is a portrait of my daughter at ballet class that I painted before attending Louis Smith’s glazing workshop. To begin I painted the whole thing in a ‘dead layer’ or monochrome using Burnt Umber, Ivory Black and Titanium White. Then I did some very thin coloured oil glazes and some ‘half-pastes’ where you’ve got a bit of white mixed with the glazes, which are more…
Sap Green is a generic name of a rich deep green, warm in hue. I used it for all of my portraits and in this blog explain how I go about it.
Here is a new video of me working on a first colour glaze in oils, over an acrylic grisaille underpainting, which is a new medium for me. I’m trying to speed up the process a little bit. It took a while to get the hang of acrylic, something I’m still progressing with. The grisaille is done using raw umber and titanium white, but hopefully…
I’ve nearly finished this portrait painting. Its had 5 glazes over the initial underpainting. This picture shows the grisaille, the first glaze (which I filmed and is on youtube please click here to view) and then the 5th glaze which is almost the last one. I still intend to go over the hair and background again amongst other things. The background was a dark…
Here are a selection of photos showing the completed glazes done over the grisaille underpainting in this portrait commission.
My latest film, another shot while putting on the first glaze over a grisaille underpainting, is now finished and on youtube. Here’s a link to the first installment: It’s been an interesting experience filming myself working, and quite strange to watch it back as I’ve never seen myself working before. I wanted to make an authentic account of working with this method, and create…
I was able to practise my dry brush blending with this portrait of a beautiful girl called Violet. This portrait commission was a staging post for me in developing my understanding of the grisaille technique. I’m now much more comfortable marrying techniques of glazing with my earlier familiar method of building up solid planes of colour. I took a lot of care over the blending and…
I wanted to share the magical transformation an oil painting undergoes, glazing oil colour over a monotone underpainting. I filmed myself painting the glaze and velatura over this portrait for one hour, in 3 short videos – this being the first. Its the first glaze and there will be a few others to finish the portrait, but this video shows the process, and I…
This is Amy’s portrait, glazed in oil paints. I filmed myself doing this and it will shortly be on my youtube channel. Its still in the early stages, and when this layer is dry I’ll go over it again, up to 3 or 4 times. I don’t know if I’m going to film those other stages – they might be a bit boring as…
Process of glazing an oil painting step by step
This is a portrait I painted of my brother Tom a few years ago, and I wanted to share it as I love the composition. I don’t know if its obvious but he’s reading, and enjoying a cup of tea at home. I feel the composition of the painting has a compactness to it, whilst having three distinct spatial areas – himself in the…