I was able to practise my dry brush blending with this portrait of a beautiful girl called Violet. This portrait commission was a staging post for me in developing my understanding of the grisaille technique. I’m now much more comfortable marrying techniques of glazing with my earlier familiar method of building up solid planes of colour. I […]
Category: colour glaze
New video on youtube of the grisaille and glazing process
I wanted to share the magical transformation an oil painting undergoes, glazing oil colour over a monotone underpainting. I filmed myself painting the glaze and velatura over this portrait for one hour, in 3 short videos – this being the first. Its the first glaze and there will be a few others to finish the […]
Oil painting demonstration: Glazing over grisaille – Portrait of Amy
This is Amy’s portrait, glazed in oil paints. I filmed myself doing this and it will shortly be on my youtube channel. Its still in the early stages, and when this layer is dry I’ll go over it again, up to 3 or 4 times. I don’t know if I’m going to film those other […]
Anna and Simon portrait
Process of glazing an oil painting step by step
Portrait of Tom
This is a portrait I painted of my brother Tom a few years ago, and I wanted to share it as I love the composition. I don’t know if its obvious but he’s reading, and enjoying a cup of tea at home. I feel the composition of the painting has a compactness to it, whilst […]
Titian’s Ecce Homo – underpainting and glazing
This beautiful painting by Titian from the Prado Museum is the reason I wanted to try and learn the technique of painting with a grey layer, or underpainting in grisaille, a technique that Titian pioneered. The flesh appears both taught, as if it was carved out of marble, and fluid at the same time. Titian […]
Jack in Burnt Umber and Titanium White
When I began investigating Old Master techniques I had some brilliant instruction from James Scrace, a portrait painter who was trained by Pietro Annigoni (see his fantastic self portrait). He learned every traditional painting skill from Annigoni, including fresco painting, and he taught me to use Burnt Umber as a wash to draw the portrait first, […]
Portrait painting and glazing
Here is a recent portrait commission using the grisaille method, where the colour glazes overlap and create an optical effect as the light passes through each layer. This one has around 6-8 layers of oil glaze over the grey underpainting. As I have mentioned before, I use M. Graham’s walnut alkyd medium, which dries quickly […]
Revelation with colour glazing
One of the most important things that has happened to me in all the years I have been portrait painting was going on a course run by Louis Smith in 2014, learning about glazing. Looking at his website I thought this would be about glazing as I understood it where you have a very thin translucent […]
Portrait of Florence, oil on canvas
For this portrait as usual I used a canvas on board, and cropped it slightly to fit the subject. I started with a grisaille underpainting using Raw Umber and Titanium White and a little medium. I’m hovering between a straightforward Ivory Black and White underpainting, and other versions, mainly Raw or Burnt Umber and […]