Glazing over acrylic underpainting video

Here is a new video of me working on a first colour glaze in oils, over an acrylic grisaille underpainting, which is a new medium for me. I’m trying to speed up the process a little bit. It took a while to get the hang of acrylic, something I’m still progressing with. The grisaille is done using raw umber and titanium white, but hopefully…

Drawing with willow charcoal

I reworked this drawing a bit today and realised again how much I love working with willow charcoal! I’m hoping to start a new series of work inspired by dance using this medium. I have always loved life drawing and working from the figure and its nice to have something to work on between painting portraits.

Portrait painting step by step, glazing over grisaille

I’ve nearly finished this portrait painting. It’s had 5 glazes over the initial underpainting. This picture shows the grisaille, the first glaze (which I filmed and is on youtube please click here to view) and then the 5th glaze which is almost the last one. I still intend to go over the hair and background again, amongst other things. The background was a dark…

Portrait painting from grisaille underpainting to fourth glaze

Here are a selection of photos showing the completed glazes done over the grisaille underpainting in this portrait commission.

Portrait painting video demonstration

My latest film, another shot while putting on the first glaze over a grisaille underpainting, is now finished and on youtube. Here’s a link to the first installment: It’s been an interesting experience filming myself working, and quite strange to watch it back as I’ve never seen myself working before. I wanted to make an authentic account of working with this method, and create…

Oil painting as alchemy – Dry brush blending in portraiture

I was able to practise my dry brush blending with this portrait of a beautiful girl called Violet. This portrait commission was a staging post for me in developing my understanding of the grisaille technique. I’m now much more comfortable marrying techniques of glazing with my earlier familiar method of building up solid planes of colour. I took a lot of care over the blending and…

Portrait painting commission – grisaille layer waiting for the first glaze

This is the first stage, the grisaille. I will be posting a video of the first glaze in a few days. The sitter is the sister of the earlier portrait posted. I will be able to continue modelling the forms as I glaze. I have talked about this elsewhere but the drawing never stops while glazing is taking place, each glaze revealing new areas…

Pencil portrait, spot the difference

I was recently commissioned to do a drawing of two twins. See if you can spot the difference. I worked very closely from the photo provided but the client didn’t like the way the tongue looked in the end, so I had to do a bit of human photoshopping. In hindsight it was never going to work, but I followed the brief and was…

Oil painting demonstration: Glazing over grisaille – Portrait of Amy

This is Amy’s portrait, glazed in oil paints. I filmed myself doing this and it will shortly be on my youtube channel. Its still in the early stages, and when this layer is dry I’ll go over it again, up to 3 or 4 times. I don’t know if I’m going to film those other stages – they might be a bit boring as…

Anna and Simon portrait

Process of glazing an oil painting step by step

Portrait of Tom

This is a portrait I painted of my brother Tom a few years ago, and I wanted to share it as I love the composition. I don’t know if its obvious but he’s reading, and enjoying a cup of tea at home. I feel the composition of the painting has a compactness to it, whilst having three distinct spatial areas – himself in the…

Learning to love black

At school in art class I was taught that black paint is evil, (my teacher was a hardcore impressionist) and that to make a black you need to mix it from other colours, and the required colours were Burnt Sienna and Cobalt blue. It’s taken a LONG time to get this out of my system and in my paintings I still like to mix…

Underpainting using Titanium White and Ivory Black oil paint on canvas

Underpainting is a technique used since the renaissance. It usually refers to a monochrome foundation or base layer, and layers of paint are applied on top

Jack in Burnt Umber and Titanium White

When I began investigating Old Master techniques I had some brilliant instruction from James Scrase, a portrait painter who was trained by Pietro Annigoni (see his fantastic self portrait). He learned every traditional painting skill from Annigoni, including fresco painting, and he taught me to use Burnt Umber as a wash to draw the portrait first, and then build up layers of slightly opaque ‘half-pastes’…

Revelation with colour glazing

One of the most important things that has happened to me in all the years I have been portrait painting was going on a course run by Louis Smith in 2014, learning about glazing. Looking at his website I thought this would be about glazing as I understood it where you have a very thin translucent layer of paint and you go over a grey…